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We had a great group of people come out for the lighting workshop in Charlotte this past weekend. We kicked it on the streets of Uptown for about 9 hours before calling it a day. A big shout out to Anthony and Sarah for hanging out and modeling for us while we explored different lighting techniques and to the security guard who simply looked the other way and didn’t bother hassling us.
Here are a few images from the shoot I had with David Crow of Floracopeia a few weeks ago. David is a world's expert in the field of botanical medicine, natural health and ecological sustainability and an expert in the Ayurvedic and Chinese medical systems.
He needed a variety of different images to use for his Web sites, promo materials and press kit. He had seen the work I had done for one of his business partners (and long-time friend of mine) here on the East Coast last summer. He had a very specific idea of what he was looking for and wanted to shoot in the San Francisco Botanical Gardens in Golden Gate Park.
The trip worked out well and was considered more of a working vacation than a full-on assignment. I stayed 4 nights and 5 days with friends and family and was able to offset the cost of the trip by working for one afternoon.
Still, with no assistants and keeping true to having the trip pay for itself, I needed to travel light. No checked bags. So I carried the gear I needed, a body, a few lenses, a couple of Speedlites and the various cords and adapters in my ThinkTank backpack. The Manfrotto 6' Retractable 5 Section Lightstand, as well as the 33" shoot-through umbrella folded neatly into the bottom of my suitcase. And that was it, two bags, all the gear I needed to complete the job and I was able to carry it all onto the plane with me.
One of my favorite modifies (or light-shaping tools) is the 45" Westcott Convertible Umbrella. If I could only have one modifier it would be this one. It’s like having several modifiers in one and it's only $27.95. You just can't beat that.
Before heading out to San Francisco last week to work on a commercial shoot, I had made the decision to work on a self assignment as well. You know, one of those GOYA assignments that are motivated by nothing more than the urge to create what you want to create with only the restrictions you've given yourself. And I gave myself plenty.
Working for newspapers and travel magazines I've always had to go out and shoot strangers in the streets. It's either grip and grins for the newspapers or low budget magazine assignments where they need someone doing xyz but can't seem to come out of pocket for a good model. Editors and DOPs are too often saying "just find someone who's already doing xyz and use them". It doesn't matter if it's someone shopping, cycling, dining in a restaurant, whatever; nine times out of 10 it's a stranger already in that situation. And it's our job as assignment photographers to be able to approach them, make them feel comfortable and get a great image out of it. In order to do that we have to feel comfortable ourselves and that's what this project was about.
So I decide that I would get up-close and personal with the different people of SF. My goal was to shoot 12 portraits of 12 strangers in 6 hours and I did it. Knowing that I wanted to be able to light my subjects if needed and I would be moving around the different neighborhoods alone and without an assistant, I chose my lighting set up carefully. I used one Speedlite attached to a monopod with no modifier, that was my set up.
I also chose to shoot exclusively with a 20-35mm lens. I did this for several of reasons; first, I wanted to feel comfortable getting into their space and I wanted them to feel comfortable allowing me into their space, after all, that's what the exercise was about. Second, I wanted to be able to show some of the environment that each subject was in and the wide angle allowed me to do that. Third, being close to my subjects allowed me to easily light them from above or the side holding my Speedlite on the monopod. And forth, I walked around the Mission, Castro, Haight-Ashbury and Golden Gate Park without ever allowing any of my gear to leave my hands. It was very minimal, a camera in one hand and a light on a stick in the other.
It did and always does get easier as I went along. I found that about half the people I approached would say yes while the other half would say no and of the half that said no, all of them were very polite and respectful about it.
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